Reasons to Watch:
Strong primary story arc
Surprising political and economic commentary
Reasons to Not:
Slow to get to the main story
Female cast is heavily sexualized
Similar to: MADLAX, Vandread, Mai-Otome
I’m probably going to take some flak for this one. Kiddy Grade is the frequent target of some heavy criticism, both from inside and outside the anime fanbase. There’s an unusually high level of fanservice for a show from the first half of the Aughts and the series takes a while to really hit its stride. In spite of these flaws, the show has a lot of redeeming features for those who can stick with it past the first few, admittedly vapid, early episodes.
Kiddy Grade is set in a far-flung future where humanity has expanded out to colonize the galaxy. The use of terraforming and genetic manipulation has enabled the human race to occupy a vast variety of planets. This human diaspora is overseen by twin organizations: the Galactic Union (GU), a political body similar in role to our UN, and the Galactic Organization of Trade and Tariffs (GOTT), an enforcement organization used to police interplanetary economics. The protagonists, Éclair and Lumière, are special agents of the GOTT. Gifted with superhuman abilities, they work to ensure that the galactic economy is preserved from greedy governments, criminals and warmongers.
Profile: Speculative Fiction, Weird Fantasy, Politics, Bas-Lag
Summary: From the hardcover edition, “It is a time of wars and revolutions, conflict and intrigue. New Crobuzon is being ripped apart from without and within. War with the shadowy city-state of Tesh and rioting on the streets at home are pushing the teeming city to the brink. A mysterious masked figure spurs strange rebellion, while treachery and violence incubate in unexpected places.
In desperation, a small group of renegades escapes from the city and crosses strange and alien continents in the search for a lost hope.
In the blood and violence of New Crobuzon’s most dangerous hour, there are whispers. It is the time of the Iron Council. . . .”